Exhibitions Archives - Neringa Forest Architecture

Children’s Forest Pavilion at Stasys Museum Education Space

Neringa Forest Architecture — Sat, 14 Feb 2026 21:09:38 +0000

The Children’s Forest Pavilion, initially conceived and presented as the Lithuanian pavilion at the 18th Biennale Architettura 2023, continues at the Stasys Museum’s Education Space in Panevėžys, Lithuania, where it provides a spatial setting for the museum’s education programme. The installation is as an architectural object and a conceptual structure, offering multiple formats for play, interaction, and discussion. It functions as a playscape and educational tool to initiate and acknowledge the unique ways children observe, interpret, and engage with the forest – foregrounding their agency in shaping its future.

The pavilion is built using timber from the Curonian Spit forests – wood typically chipped for biofuel or pulp in the paper industry. Over several years, the Neringa Forest Architecture collective has diverted a wide variety of this wood from this process, archiving it at Nida Art Colony of Vilnius Academy of Arts for material experiments, art education, and production.

The materiality and design of the Children’s Forest Pavilion respond to the geometries of timber shaped by wind and the particular soil conditions of the Curonian Spit. The playscape is crafted from custom-cut, paper-thin pieces to thick planks of black alder, mountain pines, black locust, birch, chestnut, maple, and pine.

Following its presentation in Venice, the installation ‘branched off’ into two distinct sites. One element – the roof structure – is now installed in the old-growth forest in Juodkrante, where it functions as the Neringa Forest Classroom, a destination for forest walks and environmental education workshops. Meanwhile, the play platforms, shadow play projections, and other elements are installed at Stasys Museum’s Education Space, supporting its research and learning activities led by the pavilion’s contributors and the team at the museum.

Booklet PDF

Stasys Museum website

The Children’s Forest Pavilion has free admission

photos: Andrej Vasilenko

Contributors: Aistė Ambrazevičiūtė, Ancient Woods Foundation, Gabrielė Grigorjevaitė, Laura Garbštienė, Mustarinda Association (Tiina Arjukka Hirvonen, Michaela Casková, Robin Everett, Riitta (Nyyskä) Nykänen), Mantas Peteraitis, New Academy (Ikko Alaska, Nene Tsuboi, Tuomas Toivonen), Urbonas Studio (Nomeda & Gediminas Urbonas), Kornelija Žalpytė

Curated and produced by: Neringa Forest Architecture (Jurga Daubaraitė, Egija Inzule, Jonas Žukauskas)
Architecture: Jonas Žukauskas in collaboration with Antanas Gerlikas, Jurgis Paškevičius, Anton Shramkov
Graphic design: Monika Janulevičiūtė
Video production: Eitvydas Doškus, Elis Hannikainen Video editing: Ignė Narbutaitė Lighting: Martynas Kazimierėnas
Translation and proofreading: Alexandra Bondarev, Gemma Lloyd

Stasys Museum:
Project coordination: Vilius Vaitiekūnas
Graphic design adaptation: Daniil Lapickij
Communication: Gabrielius Grašys
Lithuanian translation and editing: Dangė Vitkienė
Technical assistance: Gediminas Akstinas, Tomas Styra
Education team: Karen Vanhercke, Veronika Kaminskaitė, Vilius Vaitiekūnas

Special thanks to: Monika Kalinauskaitė, Ines Weizman, Ancient Woods Foundation, Curonian Spit National Park, Kretinga Forestry

Partners: Nida Art Colony of Vilnius Academy of Arts, Panevėžys District Education Center
Financed by: Lithuanian Council for Culture, Neringa Municipality, Panevėžys Municipality, Nordic Culture Point
Supported by: AB Roquette Amilina, UAB Splius, MB Lairent

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Forest Atlas

Neringa Forest Architecture — Tue, 24 Jun 2025 07:41:47 +0000

Every way of seeing Lithuania’s green garment is shaped by its own optics – filtered through the observer’s interests and conditioned by an entire sequence of instruments and methodologies. ‘Forest Atlas’ is a process-based exhibition that invites visitors to enter the density of the forest at its centre – without beginning or end – into a constellation of prints assembled by aligning a diversity of forest images. The pictures, photographs, diagrams and maps presented in ‘Forest Atlas’ cartograph publicly available spatial data, revealing territorial changes, tracing the preparation and circulation of timber, and mapping the networks of production and technological innovation within the timber industry.

The notion of sustainability – now deeply embedded in cultural language to describe both products and the renewable resources used to produce them – arose historically from operations carried out in forest spaces. It is linked to the efficient cyclicality of felling and planting, and to the exploitation of forest territories designed to produce predictable, renewable timber stocks. Methods and tools developed to measure trees and compute their volume gradually reshaped our perception of forest habitats: to harvest timber more efficiently, forests were schematised, simplified, and reduced to numerical tables. Wetlands were drained, tree density thinned, creating the most favourable conditions for the strongest, straightest trees. In the process, the ability to see the forest as a long-formed, impenetrable, biodiversity-rich space was eroded. Today, this vision is being reconstructed – driven by ecological concern and a growing cultural shift that calls for the expanded protection of forest areas and the preservation of diverse ecosystems to support adaptation to climate heating.

The forest is a place of tension – shaped by competing interests, seen through culturally conditioned lenses. ‘Forest Atlas’ is dedicated to sensing forms of knowledge and imagination that link diverse disciplines, opening a fragmented overview of the relationships at work in forest futurity.

‘Forest Atlas’ opened on Saturday, 14 June,At the same time, in another forest and another cultural institution – Nida Art Colony of Vilnius Academy of Arts – the ‘Neringa Wood Works’ began, led by the resident carpenters’ collective gemeinsam bauen wir neu, the accompanying exhibition features work created by participants in the Neringa Forest Architecture project since 2020.

Exhibition dates: June 14 – July 13, 2025.

Visiting hours: Saturdays and Sundays, 12:00–17:00, or by prior appointment at tel. 061416255.

Address: Marcinkonys Station Gallery, Kastinio g. 1C, Marcinkonys.

‘Forest Atlas’ is a Neringa Forest Architecture project. Maps, research and visuals: Jurga Daubaraitė & Jonas Žukauskas, cartography and research assistant: Augusta Fišerytė.

Title image: Rūdninkų forest, spectral analysis from the years 2015, 2022, and 2025, is an assembly of publicly available Landsat 8 remote sensing data (Band 6, designed to detect hard surfaces). Areas that opened up following forest clear-cutting are seen in blue. Jurga Daubaraitė, Jonas Žukauskas, 2025

Financed by: Lithuanian Council for Culture and Varėna region municipality

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NERINGA FOREST CLASSROOM

Neringa Forest Architecture — Wed, 08 Jan 2025 13:23:03 +0000

The Children’s Forest Pavilion has returned to the woodlands of the Curonian Spit to function as a destination for forest walks and environmental education workshops. Between 16 to 23 August 2023 the Neringa Forest Classroom was installed in the old-growth forest in Juodkrantė. This installation will evolve throughout the autumn and winter to include work by the Children’s Forest Pavilion contributors to continue the adaptation of the Venice installation to suit the context of the Neringa forest. Starting in October, the Neringa Forest Classroom will host a new experimental educational cluster program, a collaborative effort between Neringa Gymnasium, Neringa Municipality, Curonian Spit National Park, and Nida Art Colony of Vilnius Academy of Arts.

The Neringa Forest Classroom is a continuation of the Children’s Forest Pavilion, Lithuania at the 18th International Architecture Exhibition – La Biennale di Venezia 2023.

21–24 October 2024
Curonian Spit National Park Nature School, Nida

25–29 November 2024
Neringa Forest Classroom, Juodkrante
Nida Art Colony of Vilnius Academy of Arts, Nida

As part of the Neringa Municipality initiative to promote the development of an Educational Cluster that connects Neringa Gymnasium with art and cultural organisations in the Neringa and Klaipėda regions, Nida Art Colony of Vilnius Academy of Arts, in collaboration with the Curonian Spit National Park and the Old Growth Forest Foundation, is conducting the first series of outdoor educational activities. This programme focuses on exploring the dynamics of ecosystems within the forests, coastal areas, and sand dunes of the Curonian Spit, with a strong emphasis on biodiversity and understanding human impacts on nature.

This educational programme brings together teachers from Neringa Gymnasium, environmental educators, botanists, mycologists, and artists in a cross-sectoral initiative that encourages experiential learning and interdisciplinary collaboration. By connecting natural sciences and the arts, the programme provides students and participants with a holistic perspective on environmental stewardship, fostering a deeper understanding of the local landscape and its delicate ecological relationships.

The programme begins with a session led by Curonian Spit National Park educator Gvidas Laukaitis. Over the course of four days, from 21 to 24 October, students from four classes in grades 1–4 engage in outdoor explorations to learn about the unique formation of the sand dunes that define the Curonian Spit. They study the varying sizes and characteristics of sand grains, observing how natural forces shape the dunes over time. Through extensive guided walks and practical exercises such as building a model of the protective dune using sand and natural materials, the pupils experience the dunes up close, gaining an understanding of their meaning to the local ecosystem and how they interact with surrounding flora and fauna.

From 25 to 29 November, Nida Art Colony of Vilnius Academy of Arts hosts a session focused on understanding the delicate ecological processes within an old-growth forest, led by Sengirės Fondas experts: mycologist Aurelija Pluke and botanist Vilma Gudynienė. These sessions take place within the forest and are joined by artist Aistė Ambrazevičiūtė, who guides participants in translating and deepening their forest experiences by exploring the intricate forms and representations of slime moulds and lichens on a molecular scale, revealing a spectrum of unique colours and forms and allowing participants to observe and appreciate the hidden complexity of these forest organisms, transforming scientific exploration into an artistic lens on biodiversity.

Their work is supported by the environmental educator Riita (Nyyskä) Nykänen from Mustarinda Association in Finland. Nyyskä develops learning materials and introduces new approaches to outdoor environmental education supporting learning in nature, proposing teachers with new tools and strategies for engaging students with their natural surroundings.

The outdoor programme is centered around the Neringa Forest Classroom, a structure with a roof and seating platforms nestled within Juodkrantė’s old-growth forest, along the dendrological path near the ‘Sound Catcher’ installation. This classroom serves as both a continuation and the final phase of the Children’s Forest Pavilion, initially presented as Lithuania’s pavilion at the 18th International Architecture Exhibition – La Biennale di Venezia 2023. Constructed entirely from timber sourced from the Curonian Spit, the pavilion was originally designed as an educational playscape for the biennale, with the aim of relocating it to the Neringa forests as a permanent, publicly accessible installation. This transformation allows the classroom to continue its purpose as a site for ecological and cultural education, welcoming all who wish to explore and learn from the surrounding natural landscape.

During the five days of environmental workshops, the Neringa Forest Classroom – whose structure subtly blends with the fragile forest landscape – acts as a starting and gathering point, a natural landmark from which pupils can embark on exercises that deepen their engagement with the ecosystem, immersing them in the very environment they are learning about.

Educators: Aistė Ambrazevičiūtė, Aurelija Pluke and Vilma Gudynienė (Sengirės Fondas), Gvidas Laukaitis (Curonian Spit National Park), Riita (Nyyskä) Nykänen (Mustarinda Association)
Curators: Jurga Daubaraitė, Egija Inzule, Jonas Žukauskas
Educational programme coordinator: Dovilė Lapinskaitė

Neringa Forest Classroom architecture: Jonas Žukauskas in collaboration with Antanas Gerlikas, Jurgis Paškevičius, Anton Shramkov

Forest Time, texts – Gabrielė Grigorjevaitė, Slime Mold Spores – Aistė Ambrazevičiūtė, Mountain Pine Alphabet – Mantas Peteraitis

Produced and created by: Neringa Forest Architecture
Implemented by: Nida Art Colony of Vilnius Academy of Arts

Partners: Curonian Spit National Park, Lithuanian National Forestry, Mustarinda Association, Neringa Gymnasium, Neringa Municipality, Sengires Fondas

Project financed by: Lithuanian Council For Culture, Neringa Municipality

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LES PIÈCES DE LA FORÊT – FOREST PARTS

Neringa Forest Architecture — Fri, 27 Dec 2024 13:45:04 +0000

Les pièces de la forêt
Forest Parts

from 28 November 2024 to 25 May 2025
galerie blanche
arc en rêve centre d’architecture, Bordeaux

Elements that can be freely assembled to create interconnectable structures; wood samples collected from private monoculture plantations, experimental forests, private and state-managed mixed forests; materials from industrial timber production processes. These are just some of the ‘forest parts’ which, in this exhibition by the Neringa Forest Architecture collective, provide tactile links to the stories, processes and practices that have shaped and continue to shape the Landes de Gascogne forests.

This vast wooded area is a mosaic of practices determined not only by the imperatives of maritime pine monoculture but also by the practices of care for its biodiversity. Conceived as a playscape, this exhibition is an invitation to the forest. Beginning with a film documenting outdoor workshops held in the forests of Lithuania and Finland, it unfolds through a Shadow Play animated by projections, a Samples Play for interacting with wooden elements, and a Timeline tracing both the history and the future of this complex ecosystem.

The exhibition includes workshops and educational activities for school groups, organising visits to forests and industrial sites which are rarely accessed by the public. These visits allow young people to experience different forestry and timber production practices and participate in discussions about the possible futures of woodland areas.

CREDITS:

Exhibition curators and designers
Neringa Forest Architecture(Jurga Daubaraitė, Egija Inzule and Jonas Žukauskas)

The Forest Workshops
Film by Neringa Forest Architecture and the Mustarinda Association (Michaela Casková, Riita (Nyyskä) Nykänen, Robin Everett, Tiina Arjukka Hirvonen) • Text and narration: Riitta (Nyyskä) Nykänen • Camera: Eitvydas Doškus, Elis Hannikainen • Editing: Ignè Narbutaité • 39:17 min
Produced on the occasion of the Children’s Forest Pavilion, Lithuania at the 18th International Architecture Exhibition, La Biennale di Venezia 2023.

opening talk
28 11 2024, 18:30
Jacques Sargos, writer, publisher, historian and art expert and Arnaud Sergent, research engineer in Political Science at INRAE Nouvelle‑Aquitaine-Bordeaux

We would like to thank our partners, institutions, companies and individuals for their contribution to the exhibition:
Adam (Matthias Demaitre) • Alliance Forêt Bois (Loïc Cotten) • Assemblons (Mathieu Baehr) • l’Association de gestion de la forêt usagère de Biscarosse (Bernard Cassen) • Au Liégeur (Denis Sabouret) • Cécile Faye • le Conseil Départemental de la Gironde (Fabien Marque, Marion Molveaux) • Eric Castex • Fibois (Géraldine Gay Mallet) • Gascogne Bois (Nicolas Bordenave) • le Groupement Forestier Uzestois (Pascal Seguin) • INRAE Nouvelle-Aquitaine Bordeaux (Annabel Porté, Arnaud Sergent, Bastien Castagneyrol, Christophe Plomion, Frédéric Danjon, Frédéric Lagane, Laurent Boufier, Maksym Loginov, Yulia Prokopuk) • I2M Université de Bordeaux (Jean-Luc Coureau) • l’Institut Technologique FCBA (Patrick Moulinié) • Jacques Sargos • Lamécol (Laurent Daudigny) • Mustarinda Association (Michaela Casková, Riita (Nyyskä) Nykänen, Robin Everett, Tiina Arjukka Hirvonen) • l’Office National des Forêts (Caroline Fourcade) • le Parc Naturel Régional des Landes de Gascogne (Ruben Penin) • Pierre Husky • Scierie Labadie (Philippe Labadie) • Scierie Labrousse (Jean-François Labrousse) • SEPANSO Aquitaine (Enzo Andel) • Smurfit Westrock • Stéphanie Lafitte • le Syndicat des propriétaires de la forêt usagère de La Teste de Buch (Jean Dubrous) • THEBAULT (Vincent Mautord)

arc en rêve centre d’architecture, the team:
Fabrizio Gallanti – director; Adrien Bensignor – general secretary; publishing – Christophe Catsaros, communication – Leonardo Lella, Fanny Leglise; public relations and partnership – Anastassia Mathie; curatorial team – Wenwen Cai, Eric Dordan; production – Cyrille Brisou, Denys Zhdanov; graphic design – Emmanuelle Maura, Marie Christine Mendy; education – Sara Meunier, Flora Stich; administration – Sylvaine Vigneau; services to the public – Massimo Capano, Hakima Chahid, Claudine Wierstra; trainees – Adrien Cuttaz(ENSA Paris-La Vilette); external collaboration: graphic design assistant – Nicole Sapojnikov; woodwork – Vincent Grama and François Richard.

English proofreading – Gemma Lloyd

Photographs – Rodolphe Escher

Project is part of Lithuanian Season in France

Exhibition booklet in French

PARTS OF THE PLAYSCAPE

Samples Play is an open-ended game where players of all ages interact with an assembly of wood elements, guided by their own imagination and intentions. Each sample can also be read and decoded by linking it to its origin—whether to the specific forest and habitat where the tree grew or the process that transformed it into a timber product. The accompanying texts provide an overview and introduction to these sources:
English – Samples Play
Français – Jeu d’échantillons

Shadow Play is an enclosed space animated by the play of shadows created from various plants, lichens, and mushrooms: impressions on transparent film derived from the plates of the Léon Dufour Herbarium preserved at the Bordeaux Botanical Garden, X-ray images of maritime pine (Pin maritime) samples intended for dendrochronology (the analysis of events experienced by a tree throughout its lifetime) from the research of L. Bouffier and F. Lagane at the joint INRAE/University of Bordeaux Biogeco research unit, as well as plant and other organism samples collected during various visits to the Landes de Gascogne forests. Visitors are invited to bring their own “forest findings” to create new shadows.

Chronology traces the main events and forces that have historically shaped the Landes de Gascogne forest, while also possibly overseeing the future.

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mindaugas — Sun, 26 Mar 2023 08:13:02 +0000

Children’s Forest Pavilion
Lithuania at the 18th International Architecture Exhibition –
La Biennale di Venezia 2023

18 May – 26 November 2023

2125 Campo Tana, Castello, Venice
(opposite the entrance to the Arsenale)

The Children’s Forest Pavilion is composed as a playscape and conceived to acknowledge the unique approaches of children to observe, draw conclusions, explain the forest, and demand agency in forming it. This project brings together works and findings developed in parallel to outdoor activities held with children in woodlands in Lithuania and Finland. Guided by environmental educators, activists, artists, architects, and foresters, they were introduced to think of forests as negotiated spaces where no single actor has a central stake.

Located directly opposite the entrance to the Arsenale, the pavilion’s installation is both an architectural object and a conceptual structure, meandering through a Venetian patio house, and allowing different formats of discussion, interaction and play. It is made out of timber from trees on the Curonian Spit that have, over several years, been collected in an archive at Nida Art Colony of Vilnius Academy of Arts as part of the project Neringa Forest Architecture. Combined with film installations, worktables and play structures, the architectural elements in the pavilion support the research and learning environment of the exhibition, which shows how the children that participated learned about ancient forests, primordial swamp landscapes and long processes of geological formations.

Through the outdoor activities, the children explored the forest at various levels of scale and perception, looking at the growth patterns of lichens, investigating chemical pollution molecules through augmented reality, and discovering sounds from reverberations of ancient and living timber, among other things. The exhibition includes an alphabet made of the branches of hundred-year-old mountain pines, a space with supersized shadows, as well as computer-generated spores and slime moulds in a myriad of shapes and forms, and invites visitors to play and learn about forests, as architectural and infrastructural spaces: environments of natural systems governed, exploited, and regulated by human interventions, technologies, industries, institutions and agencies, but also places of depleting biodiversity.

The Children’s Forest Pavilion is conceived as an educational tool with the potential to ‘branch off’ and connect to other spatial and thematic elements. At the end of the Biennale Architettura 2023, it will return to the woodlands of the Curonian Spit where it will function as a destination for forest walks and environmental education workshops. The pavilion is organised by the Neringa Forest Architecture project that was initiated in 2020 to reflect on the agency of cultural practices and institutions in framing environmental relationships. The project has its starting point in Nida Art Colony, a subdivision of Vilnius Academy of Arts, located in the Lithuanian part of the Curonian Spit. As a continuous programme, Neringa Forest Architecture involves a growing assembly of collaborations and participants to read the cultural landscape of the area from multiple perspectives and practices as a case study in the context of the forests of the region.

Opening: 18 May at 3pm

Opening hours: Tuesday – Sunday
19 May – 30 September: 11am – 7pm
1 October – 26 November: 10am – 6pm
Closed on Mondays (except 22 May, 14 August, 4 September, 16 October, 30 October, 11 November)
Admission to the pavilion is free of charge.

Contributors: Aistė Ambrazevičiūtė, Ancient Woods Foundation, Gabrielė Grigorjevaitė, Laura Garbštienė, Mustarinda Association (Tiina Arjukka Hirvonen, Michaela Casková, Robin Everett, Riitta (Nyyskä) Nykänen), Mantas Peteraitis, School of Creativity (Kristupas Sabolius), New Academy (Ikko Alaska, Nene Tsuboi, Tuomas Toivonen), Urbonas Studio (Nomeda & Gediminas Urbonas), Kornelija Žalpytė

Curators: Jurga Daubaraitė, Egija Inzule, Jonas Žukauskas
Commissioner: Ines Weizman
Architecture: Jonas Žukauskas in collaboration with Antanas Gerlikas, Jurgis Paškevičius, Anton Shramkov

Graphic design: Monika Janulevičiūtė
Poster illustration: Izadora Daubaraitė Žukauskaitė
Moss hats and shalws: Banan Vedro, Circulation of Infernation, Doch, Heorhii Hohatadze
Video production: Eitvydas Doškus, Elis Hannikainen
Video editing: Ignė Narbutaitė
Lighting: Martynas Kazimierėnas
Photo documentation: Rasa Juškevičiūtė
Coordination: Dovilė Lapinskaitė

Coordination in Venice: Marco Scurati
Communication: Stefanija Jokštytė, Anna Luise Schubert, Alexandra Bondarev
Translation and proofreading: Alexandra Bondarev, Gemma Lloyd
Project assistant: Vilius Vaitiekūnas
Pavilion attendants: Rugilė Akambakaitė, Magdalena Beliavska, Augusta Fišerytė, Aistė Gaidilionytė, Rimantas Giedra, Gustė Kripaitė, Marta Dorotėja Lekavičiūtė, Gabija Naikauskaitė, Viktorija Narbutaitė, Kamilė Vasiliauskaitė, Gabrielė Vrublevska
Accounting: Rasa Bliakevič
Legal consulting: Neringa Savickė, Kotryna Volodkaitė

Organised by: Neringa Forest Architecture
Implemented by: Nida Art Colony of Vilnius Academy of Arts
Partner: Centre for Documentary Architecture
Supported by: Neringa Municipality, Nordic Culture Point, Lithuanian Council for Culture, Baltic Culture Fund

Thanks to: Artnews.lt, Gražina Banienė, Adriano Berengo, Yulia Derenko, Gaetano di Gregorio, Aurora Fonda, Laura Gabrielaitytė-Kazulėnienė, Pranas Gudaitis, Monika Kalinauskaitė, Dr. Mindaugas Lapelė, Laguna nel Bicchiere – Le Vigne Ritrovate, Marija Olšauskaitė, Rimantė Paulauskaitė-Digaitienė and Dr. Ainis Pivoras from the Ancient Woods Foundation, Viktorija Rybakova, Mindaugas Survila, Nida Forestry, Kretinga Forestry, the Curonian Spit National Park

Nida Art Colony of Vilnius Academy of Arts: Milena Černiakaitė, Vasilisa Filatova, Alberta Globienė, Giedrius Globys, Asta Jackutė, Dalia Jokūbauskaitė, Lina Košeleva, Aldona Lankauskienė, Elena Orlovienė, Daura Polonskytė, Ieva Skauronė, Yana Ustymenko, Katerina Vaseko, Tetjana Volosiuk

All the children, educators, and schools who participated in workshops in Lithuania and Finland
Puolankajärvi Comprehensive School (Puolanka, FI), Hyrynsalmi Comprehensive School (Hyrynsalmi, FI), Neringa Gymnasium (Nida, LT), Young Forest Friends (Kretinga, LT), Baltupiai Progymnasium (Vilnius, LT), Gerosios Vilties Progymnasium (Vilnius, LT), Emilijos Pliaterytės Progymnasium (Vilnius, LT), Pavilnys Progymnasium (Vilnius, LT), Sietuva Progymnasium (Vilnius, LT), Simonas Konarskis Gymnasium (Vilnius, LT), Simonas Stanevičius Progymnasium (Vilnius, LT), Vasily Kachalov Gymnasium (Vilnius, LT), Vilnius Sofya Kovalevskaya Progymnasium (Vilnius, LT)

Press contact:
International: Anna Luise Schubert, press@neringaforestarchitecture.lt
Lithuania: Stefanija Jokštytė, press@nidacolony.lt

Link to press pack.

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